Hubert stuppner / franz cibulka / alfred schnittke - streirischer herbst musikprotokoll 1981


Pipattanaboon C, Sasaki T, Nishimura M, Setthapramote C, Pitaksajjakul P, Leaungwutiwong P, Limkittikul K, Puiprom O, Sasayama M, Chaichana P, Okabayashi T, Kurosu T, Ono K, Ramasoota P, Ikuta K

He is sometimes said to be a French variant of the sixteenth-century Italian Pedrolino , [5] but the two types have little but their names ("Little Pete") and social stations in common. [6] Both are comic servants, but Pedrolino, as a so-called first zanni , often acts with cunning and daring, [7] an engine of the plot in the scenarios where he appears. [8] Pierrot, on the other hand, as a "second" zanni , is a static character in his earliest incarnations, "standing on the periphery of the action", [9] dispensing advice that seems to him sage, and courting—unsuccessfully—his master's young daughter, Columbine, with bashfulness and indecision. [10]


Hubert Stuppner / Franz Cibulka / Alfred Schnittke - Streirischer Herbst Musikprotokoll 1981Hubert Stuppner / Franz Cibulka / Alfred Schnittke - Streirischer Herbst Musikprotokoll 1981Hubert Stuppner / Franz Cibulka / Alfred Schnittke - Streirischer Herbst Musikprotokoll 1981Hubert Stuppner / Franz Cibulka / Alfred Schnittke - Streirischer Herbst Musikprotokoll 1981

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